To say Houses season seven premiere has been highly anticipated by fans would be a gross understatement. Since our DVRs stopped recording new House episodes, our Monday nights have been filled with poor summer substitutes and have left us scrambling for old House DVDs. Or maybe that was just my summer. Regardless, we open exactly where we left off: House and Cuddy attempting to move past their mutual pain and forward into a relationship that could redefine both of their futures. This seasons format-breaking episode "Now What?" provides plenty of material for discussion and opens the door to what should be a unique and perhaps sexier season of House. Each sub-heading of this article is a name of an episode of House from a past season. House develops major themes throughout its seasons and the past episodes titles themes coming up again serve to demonstrate this point. "Acceptance" (Season 2)What struck me in this episode was the amount of honesty we saw from Cuddy and House. In the world according to House, everybody lies. But, in this episode, House and Cuddy proved that the truth is a powerful tool, except in the case of House keeping Cuddys hospital trouble to himself. Cuddy has never been this talkative, nor as honest as she was in the whole history of this series. As soon as she said those three magic words, every wall they had built around each other came crashing down. Their acceptance of one anothers vulnerabilities was beautiful to watch and I felt like I was witness to real intimacy. Very little music throughout the episode and noises like bed creaks also helped to create intimate moments. It was almost unnerving to see both of them talk like human beings, having real conversations while they sussed out what their lives might be like from here on out. Of course, Houses motto does hold true for Thirteen, who left without telling anyone the truth about where she was going. This begs the question: have we ever known Thirteen?
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Monday was the official start of the fall season with 12 shows premiering on the major networks. With all networks going head-to-head, the ratings can predict what shows will succeed and which will fail.
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House cant keep Cuddy locked away in his fortress forever. "Selfish" is the writers answer to the question of how "Huddy" will function once they return to work. This episode puts us right back to where fans feel the most comfortable: at the hospital and with a great case for House to work on. Each member of Houses team, minus the absent Thirteen, has an opinion, or lack of an opinion on Houses relationship. I cant help but wonder if this was the writers version of their divided audience members opinions on the direction the series has taken in light of the House/Cuddy pairing: "in favor, indignant, and indifferent." This episode easily could have been called "Selfless," but that would have made us all use our brains a little less. In typical House fashion, the writers challenged us to question if being selfish is actually healthier than being selfless. Clinic (Selfish Exhibit A)This weeks return to the clinic opened with a bang. Granted, House is being somewhat friendlier, but his barbs havent softened in the wake of his good mood. Hes still throwing some amazing zingers at his ancient patient, telling him he has a bad case of "natural causes." Both the patient and his son served to reinforce the idea that coming clean with clear intentions and honesty, even at the risk of hurting one another, would have been better than the lies and omissions handed out to spare hurt feelings. This father and son pair were very similar to another pair of clinic patients, also senior citizens. In the season one episode, "Love Hurts," two older patients didnt want to tell the other that they both wanted less sex. Afraid of hurt feelings, they each went to House separately to deliver messages and manipulate the other and in the end realized they should have just been honest with each other.
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We all want to know how the story ends. Either the people at House are getting really meta, or Im reading way too much into their episodes. Lets start with the positive. Amy Irving, as a suicidal, but brilliant author of a Twilight-esque series (Jack Cannon), was great in her role. Perfect, actually. House, as an avid reader, was terrific as a geeked out fanboy and definitely didnt hide his love for what most people consider rather embarrassing. However, the episode lost me a little on the go-kart track. Im stuck with Wilson, crashed to the side while the race went on without me.Two Sides to HouseAlice Tanners character was the strongest part of this episode, and its no wonder. She represents a side of House from about four seasons ago, or even House in "Help Me" before Cuddy came to the rescue. Shes dark, brilliant, reads people, and is completely unhappy and suicidal. Shes also not kind to strangers. And shes in pain. Usually House is trying to get rid of his patients, but this week, theres something at stake. Not just the life of his patient (his alleged secondary concern), but the future of the patients fictional protagonist, Jack Cannon. It was surprising to see House be so candid with her about pain and happiness. House is out of mental pain and hes functioning well with Cuddy by his side. His future, like the future of his relationship with Cuddy is unwritten. By the end of the episode, House is displaying irrefutable evidence that he does, in fact, care about people. Hence, the "Shut up," on his way past Cuddy to the elevator. God forbid people knowing House does care about his patients.
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"Massage Therapy" offered little depth to a show that typically dives deep. The themes for tonights episode have been done before and it would have been refreshing to see something other than the "you have to make sacrifices to make relationships work" overall theme. This theme has cropped up in other episodes: season 6s "Moving the Chains" and "Ignorance is Bliss" and season 2s "Need to Know" just to name a few. So why is this one special? Or is it? To be fair, this theme has popped up and House has never been able to fully apply it to his own life. In "Massage Therapy," hes able to use what he learns from his patient and move forward. However, this is now two weeks in a row where something in the episode hasnt thrilled me. It has nothing to do with the acting, which is consistently stellar, but this weeks POTW storyline in conjunction with House and Cuddys scenes just didnt tie together in as cohesive of a way as this series is capable of, and thats where the episode lost me. POTW Last weeks POTW was different and interesting. This weeks bored me. Really? Schizophrenia? And House and his team couldnt have figured that out? I had a hard time believing that a diagnosis like that would fly right under the radar. Brings to mind the theme of "Occams Razor," (an episode of the show from the first season): The simplest explanation is usually the right one. And while the idea of coincidence typically is ignored, wouldnt a simple test have done the trick at the beginning of the diagnostic process? Maybe Im being too hard on the episode, but really, truly, I have the highest standards when it comes to this show, so if they are not met, a rather negative review is born. Jenny, Margaret, whatever her name was would have been more compelling if I had some sympathy for her. Last weeks teaser gave us some insight into Alice Tanners life, so we immediately felt for her. This week, it was a struggle to empathize with whats-her-name.
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OK, Jennifer Grey fans -- its time to warm up your DVRs, because youre going to need them this Monday! In addition to her regular stint on Dancing with the Stars, Jennifer Grey will also be appearing as a guest star on Mondays House. Both shows air at 8 PM (ET/PT), and you can find Dancing with the Stars on ABC and House on Fox.
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Were into season 7 of House, and things have heated up for our favorite (but horrible) doctor. This season promises new patients, new House team members and, of course, lots of Huddy action!Keep reading for House spoilers, season 7 news, cast information and more! You never know where you will find the truth...
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Did I miss something here? If Im struggling to find an interesting angle in which to write this review, we have a problem. In an episode titled, "Unplanned Parenthood," House gets to be the parent he never wanted to be. This episode was far too on the nose, especially since the writers have yet to give any of the team members an interesting storyline this season. Last season at this time, Chase had killed a dictator, House was wrestling with his living situation, and Foreman and Thirteen were on the outs. Im happy to see that the writers are working more from a comedic standpoint, but really, is this the best we can do given the talents of the regular cast and a guest star like Jennifer Grey? I thought the other episodes were a bit lacking, but this one unfortunately takes the cake. Bear in mind I am one of the shows biggest fans, and my disappointment is coming from the high standards that the people over at House set a long time ago. J-Grey AKA POTWJennifer Grey competed against herself tonight. Do you think she told her family to watch Dancing with the Stars or House? Either way, she played a 40-something mother that decided to have a baby. But it wasnt her first, and her daughter made that abundantly clear throughout the episode. My hunch is that older daughter wasnt planned and lived her whole life feeling that way, whereas new nameless baby was completely planned for and popped out ready to be loved and cared for. Unfortunately for nameless baby, mom wasnt long for this world. Oh, the irony. And then of course, Jennifer Greys daughter ends up with the baby in another parenthood that was unplanned. This episode reminded me of "The Down Low," that was heavy on humor -- House and Wilson both try and date their hot neighbor and treat an undercover cop that dies -- with a downer ending. The big difference is that "The Down Low" was ultimately a much better and more thought-provoking episode.
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Today is apparently International Caps Lock Day on the Internet, and the BuddyTV writers arent just celebrating: Were cele-berating, by using our caps lock key to virtually yell at the people on TV who piss us off.They may be kind of hard to read, but isnt that the point? Its clear these characters are in need of some serious tough love. Read them, then try your own!
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Tonights episode of House marks the arrival of Amber Tamblyn to Princeton-Plainsboro Hospital. Tamblyn will play Martha Masters, a third-year medical student sent to play doctor with Houses team (because of course a student is a valid replacement for a qualified doctor). Masters will join the currently all-male diagnostic team on the instructions of Cuddy.
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It is the considerable opinion of BuddyTV that the people should not be allowed to vote. This morning the 2011 Peoples Choice Award nominees were announced and the choices are less than inspired. Sure, like a broken clock, some of the choices show an impressive exhibition of taste (nominating Ian Somerhalders highly entertaining performance on The Vampire Diaries), but mostly, its an embarrassment.
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The last two episodes of House havent been my favorites. Having said that, this one definitely redeemed the last two. "Office Politics" accomplishes everything a strong episode of House should. It provided interesting dynamics amongst the team, it tested Houses relationship with medicine and Cuddy, and it set up dynamic parallels between new characters, old characters and the patient of the week. "Office Politics" also explored one of Houses age old themes: Everybody lies. Patient Comes FirstDo not adjust your television. The annoying campaign commercial was just a part of the brilliant and timely, I might add, teaser at the beginning of the episode. If only this episode could have aired on Nov. 1! Whats worse than a dirty politician? His campaign manager, apparently. Such was the case with this weeks POTW, Joe Dugan. Joe wants to dirty up the already slimy Senate race, and in the beginning, Sen. Anderson is opposed. All it takes is a dip in the polls, and Anderson releases a dishonest commercial about his opponent; and of course, the POTW has no problem even taking the blame for the Senators crossing of ethical lines.
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How can you tell a sweeps month episode of House from a regular episode? Well, add in a dash of epidemic, put House in danger, kill a patient, and mix in a scantily clad woman. In this weeks episode, "A Pox on our House," we have all four pieces of the sweeps puzzle. Of course, never for a second did I worry that House was in actual danger. The real Housian parts of this episode were his reactions to the possibility that he might die. And Cuddys piece in that brought over from last weeks episode. Now, theres no way that this argument is the end of their relationship, but it did throw an undeniable kink in the way things have been going, which Im assuming will be resolved by next weeks episode aptly named "Small Sacrifices."A Very Sick ManGuilt is not an emotion were used to associating with House. The only other times I recall seeing House feel guilty is when hes dealing with deaths, like Ambers and Kutners. But, here he is, volunteering to do clinic hours to appease his guilt over lying to Cuddy. In season 5s "Simple Explanation," the episode where Kutner killed himself, Taub says to House, "You cant feel that much guilt without love." This is all the more apparent as House attempts to be extra nice to Cuddy to move past his feeling of remorse regarding his lie during "Office Politics."Early in the episode, he goes to Wilson, clearly conflicted about his lie, especially because he thinks Cuddy knows he lied. Now caught, does he come clean? Wilsons bro-y advice is to continue lying; its no wonder these two are so successful at relationships. Love that he also sought out Masters advice, but skipped over the marriage expert, Taub. Given the opportunity to make things right with Cuddy, who "of course" knows whats going on, House sticks by his principles and doesnt apologize. Houses words and actions are in major conflict here, and I have to wonder if House will ever be able to admit real fault where his medical principles are concerned.
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Welcome to The GBU, a weekly column coming every Monday where I look at the Good, the Bad and the Ugly on TV.TV shows like to inject fresh blood after a few seasons with new characters to spice things up. Sometimes the new additions fit perfectly, and sometimes the actors never really gel with the show.
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FOX released its mid-season schedule today, and there are more big changes for American Idol. The show already has new judges and new rules, and now there are new days. The show is being pushed to Wednesdays and Thursdays, most likely to keep Glee safely where it is since the show is doing so well.
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This weeks House covers familiar territory, but in the best way possible. Weve seen House renounce faith many times in episodes like "Damned if You Do," "House vs. God" and "Unfaithful," (which was also written by Hoselton) but this time things are different. All those episodes were written when House was unhappy. This season, House is actually in a good mood. Could Houses new lease on life change his stubborn principles? This week we get a window into how his perspective on faith and truth have been shaped by his current relationship. As an added bonus, we get two other relationships to compare and contrast in this seasons strongest episode, "Small Sacrifices." POTWThis weeks patient made a bargain with God three years ago to save his daughter for the bargain price of annual crucifixions. House, of course, is chomping at the bit in attempts to bring his faithful patient over to the dark side. Houses mission in life seems to be converting those that believe things he considers to be idiotic and disprovable. He cant fathom that anyone would believe in something so purely and unselfishly. When House attempts to disprove what the patient sees as fact, that God does exist, House gets what he always gets: another manipulation fitting of the patients beliefs. Weve seen it in "Damned if You Do," "Here, Kitty" and even in "Love Hurts." Remember when Cameron and House went on their date and she told him if he treated her like garbage it meant he loved her, and if he was nice to her, it meant he was getting in touch with his feelings? Same thing. God is either extremely merciful in his existence, or something terrible will happen and it is Gods way of punishing you for not living for him. Either way, the patient is never won over.
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Weve come a long way, baby! Since last years Top Nine Huddy list, House and Cuddy have actually had on-screen non-hallucinatory sex, said "I love you" and have managed to make the show even more riveting. A job well done, House powers that be! This time last year, we were clinging to stripper fantasies, mixed messages and one real kiss in season 5s "Joy." This year, we better show some appreciation for getting the real deal and as such, Ive designed an updated Huddy Top 10 Moments list highlighting moments from last December to where we currently are in House.
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This morning the Golden Glode Award nominations were announced, and the TV side featured some truly outrageous nominations. While shows like Glee and 30 Rock picked up many expected nominations, who couldve seen someone like Scott Caan getting nominated for Hawaii Five-0? Or Piper Perabo for USAs Covert Affairs?The Golden Globes also gave love to new shows like Boardwalk Empire, The Walking Dead and The Big C.
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Just two days after the Golden Globe nominations were announced, the Screen Actors Guild unveiled their nominations. While the drama side is rather predictable, the comedy line-up is full of surprises, including two nominations for TV Lands Hot in Cleveland.
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We still have some time to wait before House returns from its mid-winter hiatus, but at least there are now spoilers to occupy our minds until the show returns.
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Last nights Peoples Choice Awards were yet another example of why democracy doesnt always work. Sure, its a nifty idea for government, but when it comes to TV, the people typically make bad or confusing decisions. As proof, look at the fact that the painfully unfunny $#*! My Dad Says was named Favorite New Comedy.
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The votes are in for the first-ever BuddyTV Fan Favorites, picked by you, the fans! There was some stiff competition among shows like Supernatural, One Tree Hill, Lost, Chuck, The Vampire Diaries, Glee, House and others.Check out the full list of winners:
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They come, they go. Its not just the patients that check in and out of the hospital frequently on House. Even the doctors and other main characters sometimes have limited stays on the medical drama. In upcoming weeks, we will see a new character arrive, a recurring character leave and an old character return.
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It was a big night for Glee as members of the foreign press kicked off awards season with the Golden Globe Awards in Los Angeles.The Fox musical series was named Best TV Series - Comedy or Musical for a second year in a row, with Chris Colfer and Jane Lynch taking home Best Supporting Actor and Actress, respectively. HBOs Prohibition-era drama Boardwalk Empire was named Best TV Series - Drama, with Steve Buscemi named Best Actor - Drama. Katey Sagal was finally recognized as Best Actress - Drama for her work in FXs Sons of Anarchy, while Jim Parsons and Laura Linney were similarly feted.The Facebook drama The Social Network emerged as the big winner on the film front, winning four awards, including Best Motion Picture - Drama and honors for director David Fincher and writer Aaron Sorkin. The quirky comedy The Kids Are All Right went home with two awards, including Best Motion Picture - Comedy or Musical. Natalie Portman was named Best Actress - Drama for Black Swan, while The Fighters Christian Bale and Melissa Leo took nods for Best Supporting Actor and Actress.The nominees for this years major awards are listed below, with the winners in bold. The full list of winners can be found here.
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House wants so badly to believe in justice and karma. All last season he tried to change so he could live a more positive life. In tonights episode, "Carrot or Stick," its all about the approach and in the end how that approach led to the appropriate consequences, or justice. This episode did a nice job of moving several plot lines forward and presenting some interesting questions regarding attitude and approach. POTWWhile I wasnt overly sympathetic toward the patient (Driscoll) this week, I did enjoy the parallels he brought to the table and enjoyed that he was a strong military presence. I wish that the show somehow mentioned Houses father since he was in the military, but maybe this was more of an homage to the way House was raised? Either way, I think a hint dropped for a viewer that isnt quite as obsessed as I am about Houses fathers way of discipline would have been nice. Driscolls approach of straight discipline for his secret son obviously hasnt been working. In the end, the truth and his caring attitude captured his son, and were left feeling some level of content for their broken family and more sympathy for a man who is fearful and misguided but trying to start over. And isnt starting over what House has been trying to do this season? Time will tell what kinds of consequences Driscoll may reap from a son he lied to all his life.
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Its been far too long since a new House aired, and I was pleased to see the series return with a strong episode. While tonights themes have been covered in the past, some new angles and the entrance of Cuddys mother, played by Candice Bergen, helped this episode along.Her character was a caricature of even the most annoying Jewish mother. Take Georges mom in Seinfeld and subtract all of her nice qualities and we have Arlene, the blonde "shiksa" Cuddy calls mom. Not only do we get a big dose of family time with Cuddy, but we also get a sharper look at Taubs life and learn what it takes to be a hero.And Then a Hero Comes Along ...Is Jack the "Subway Hero"? Or was he actually selfish in his seemingly selfless actions? House will never believe anyone does anything completely selflessly, and why should he? Hes been at this doctoring thing long enough to see enough patients come back from the brink of death and return to their old lives, selfish as always. But Jack rescues someone out of the pure goodness of his heart and something clicks for him: He actually can apply this freak selflessness to his everyday life! He very nearly does this before another opportunity comes along with his band Suicide Season. Perhaps the band name is speaking to his own version of suicide, in that hell jump onto the subway tracks to save another, but he wont bother rescuing himself from mediocrity. This earns him a spot on Houses loser line-up of former patients too selfish to do the right thing and let the people they love move forward.
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Anyone who has ever seen House before understands that its a show in which medical, ethical and moral boundaries are crossed, intertwined, and broken. This weeks episode, "Family Practice" did a nice job of providing several ethical benders, enough to keep even House on red alert. Because the patient of the week was someone we knew, Cuddys nightmarish mother, Arlene (Candice Bergen), the usual format of the episode seemed shifted somehow, the same as in "Houses Head/Wilsons Heart," when House and Amber became the patients and the mystery and diagnosis were even more interesting because we were invested in all parties involved.Like Mother, Like Boyfriend? Cuddys mother Arlene is a piece of work. A pistol, even. When Arlene tells her daughter that shes forgotten how to be a real doctor, I was immediately reminded of House telling Cuddy the same thing in season 2. Is Cuddy secretly, or as it turns out, not so secretly, a masochist? Seems like she was raised with her mother being extremely hard on her. Then she goes to medical school, becomes one of the first women deans, dates Lucas (ew), then dates House, which is great, but whos fooling whom? A relationship with House is rewarding, but theres a lot of emotional drama to get through (six seasons worth). Consider how long it took Cuddy to admit her feelings for him. At any rate, its interesting that Arlene and House both love Cuddy, but are by no means easy to love.
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Yes, weve seen a lot of ideas from this weeks House before. In fact, much of the later seasons seem to be taking ideas from former seasons regarding the shows themes and tropes, but the bright spot in this particular episode is the angle from which House is coming. In "You Must Remember This," the patient of the week, Nadia, has a mysterious illness plus an uber-cool memory trick. She cant forget anything. But is her uniqueness isolating her from forming real connections to others? And what does this have to do with House and the qualities that make him different and typically alone?HilsonThe House/Wilson storyline in this episode wasnt atypical from anything weve seen before. Meddle here, meddle there. Do mean things that are actually in someone elses best interest. Yada, yada, yada. What made this one special is that House is feeling guilt for something and his attempts to make Wilson happy through a subdued allergy torture are more transparent than usual. Cuddy hit the nail on the head when she accused House of feeling guilty for being happy. Yes, House wants his best friend to feel as happy as he is, especially since Wilson has helped House limp out of some dark situations, but does House need to resort to getting rid of Wilsons cat to force him to move forward with "Java the Slut"? I think not. And by the end, Wilson and House have an honest conversation. Imagine if that had happened first. Only in alternate universe House-land.
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Maybe its because Ive been watching a lot of Lost lately, maybe its because I was expecting "Two Stories" to be like season 1s "Three Stories," or maybe its just because Ive seen episodes of television like this before, but I was not confused by the idea of time in this episode. In fact, the story that this episode told unraveled in the most perfect way possible. Everything in this episode unwound itself in the exact way it was supposed to, and it only made the episode more unique, at least compared to many other episodes of House. In this weeks, "Two Stories," we get a lot more than the title bargains for, but the main idea of "Two Stories," is to show that there are two sides to every story, no matter how right you think you are. Or House thinks he is, which according to Cuddy, is always.Mirror, MirrorTypically, this is the spot I reserve in this article for the patient of the week, but this week, there was more than one person being obviously paralleled. In "Two Stories," we had a parallel House and a parallel Cuddy. And might I say, I loved the young girl. Houses attempt to make the distinction between bossy and bitchy defines the House/Cuddy relationship to a T. And as young little House says regarding his version of Cuddy, "Shes bossy, but shes usually right." Their entanglement, as writer Tommy Moran would have it, was similar to that of House and Cuddy. Manipulation plus misguided heartfelt need. The boy playing the young version of House was very sweet, even in his manipulations. His honestly was refreshing and our House, the allegedly wiser one, took some great notes with him after their conversation.
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Do we always get what we deserve? Or do we get what we get? Can we have it all? This weeks House seems to address those questions, framing them in our ever-flailing economic circumstances, and more specifically, the 2010 buzzword "recession." Recessions can be applied to all aspects of this episode, whether its the slowing down of Houses medical reaction time, as if Cuddy is his own personal drug, or its our patient Bert whos been beaten down by the recession so hard that he is now having to clean up brain matter and blood at crime scenes. The rest of the team also faces their own personal slumps, like Masters lack of friends and Chases meaningless, yet meaningful relationships. While this week didnt break any formats, even though the patient of the week died, House has hit a milestone, and that happened in the last three minutes of the episode. POTWWith this weeks episode entitled "Recession Proof," we knew wed end up with someone talking about the state of their finances. In the most obvious interpretation of the term "recession," our POTW has transitioned from being a head honcho in real estate to someone who cleans up blood. He has literally gone backward in his life and lied to his wife, played by Ashley Jones (of True Blood and soap opera fame) about everything. Masters snapped at Bert, telling him that if he had told the truth from the beginning, he might not have ended up in this horrible medical situation. Interestingly enough, Chase stepped in to say that one had nothing to do with the other. Does Martha, who is factual enough to be her own encyclopedia believe that people get what they deserve based on their morals or based on logic and facts? Did Bert die because he lied to his wife? Or did he die because House is distracted, happy and trying to please his girlfriend? Or finally, do any of these events have anything to do with the patients death coming right on the heels of his wife admitting to being wrong and pregnant?
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Things have been going pretty well for Cuddy recently. Shes managed the impossible in maintaining a relationship with House. The hospital has run as smoothly as any hospital that employs House can hope for. She even won a fight with House when she got Masters inserted into the team.So of course shes doomed.
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With the CBS comedies in repeats and The Bachelor airing a reunion special, last night shouldve been a good night for NBCs The Event to return. However, when the dust settled, it turns out people werent that interested.
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"Bombshells," indeed. Tonights House promised to tantalize our senses, make us laugh, make us cry, make us sing. Well, it did that, but it didnt mention that the ending would press the reset button to the series! And that it would seem suspiciously like a finale, rather than a middle of the season episode. Through Cuddy and Houses dreams and Cuddys cancer scare, we see the relationship between House and Cuddy unravel. And more than that, we see House fall to pieces. This one wasnt for the faint of heart, and Im still processing what I really think about the episode.Getting to Know CuddyLast season when "5 to 9" aired, I figured we would finally understand how Cuddy thinks, her motivations and who she is. What I found out through that episode is that shes a busy working woman who loves her child, is frustrated with her sex life and comes to rely on House. In other words, duh. I believe shes an underdeveloped character. What an episode like "Bombshells" does is divide fans entirely. Some fans think Cuddy is acting completely out of character and thoroughly screwing up things with House. Others believe Cuddy is finally doing the right thing for herself. I am left wondering where I stand on this issue because, truth be told, I dont feel like I ever really knew Cuddy at all. What was she thinking, really, when she got together with House in "Now What?" Did she secretly hope that the selfish man with a whole lot of potential would change? Or did she convince herself that she could "get happy," and moreover, make him "get happy"?
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Today FOX released its summer schedule with premiere dates for So You Think You Can Dance, Hells Kitchen and MaserChef.
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When The Powers That Be decided to break up House and Cuddy, it became clear that they wanted to be showing off their favorite depressed, Vicodin-addicted doctor once again. To this I asked, are we really going to be getting something new? Or is this just the 2011 version of the pill-popping heartbroken doctor we saw after Stacy left? To be fair, he was in it a lot deeper with Cuddy at least as far as length and commitment go. And he was as happy as House is capable of. Well, tonights episode started Houses downward spiral and with some amazing musical selections, were introduced to some new extremes of Houses coping mechanisms. Make no mistake: The sunlight streaming in through Houses hotel window was just about the only light in the start of what will most likely be a series of dark episodes. POTWI found this weeks patient interesting. Mostly because we didnt have to deal with him very much and his profession alone provided almost everything I needed to tie him and House together. A bull rider must be a risk taker. Whoever takes on what many consider a foolish profession has to be all in, 100 percent risky. House has always admired those who take huge risks and commit completely. Its why he loves the extreme monster truck rallies, enjoys his overly dramatic soap operas and revels in The Real Housewives of New Jersey. Regardless of their class, House lives for those who can do what he cannot. Be completely who they are with no regrets. Love and live fully.
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There are few things on TV I love more than cast members from old shows getting together again, which is why last nights House gave me goosebumps. The main course may have dealt with Houses green card marriage, but the patient of the week was the delicious side dish.The patient was played by Christopher Marquette, who starred with Houses Amber Tamblyn on Joan of Arcadia. As a result, the patients deep connection with Martha Masters and their discussions about God were extra special, like truffles on your entree.
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Well, that was a charming episode. If you like mock weddings, gadgets and a Law and Order: SVU type of ending. With every episode of House, there is something redeeming, but for this one, I didnt find much. It may not have been the worst of the season -- that still goes to "Massage Therapy" and "Unplanned Parenthood" -- but it certainly wasnt the best, and coming off of last weeks poignant ending and amazing musical moments, this one just didnt do it for me. POTWWeve got a homeless guy as the POTW, and hes a liar thats been abused by his father. Can you hear House now? "Everybody lies," is what he would say if it wasnt wholly unnecessary and obvious this week. Is this episode about redemption? Forgiveness? Moving on? Or the beginning of the point of no return? Its entirely possible that the POTW, whose name well never know was there to prove that there are some mistakes that we make that we cant and shouldnt be forgiven for. Has House already gone past the point of no return with Cuddy? Does her dumping him mean that she can never be forgiven? House played on her guilt during this episode and she let him until Wilson came around and told her to take the reins back. Does the patient feel guilt? And what are we supposed to draw from his fatherly abuse? That he is similar to House? We get it.
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House is on a brief hiatus at the moment, but that doesnt mean theres no news to get us through the next couple of weeks. Strange explanations, eagerly awaited returns and big guest stars are all on tap for future House episodes.
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Welcome to The GBU, a weekly column coming every Monday where I look at the Good, the Bad and the Ugly on TV.If you watched TV last week, you may have noticed a lot more shocking twist endings than usual. The device (popularized by M. Night Shyamalan movies) revealed some pretty big bombshells at the end of some of TVs best shows. Sometimes they were successful, but other times, they were just ridiculous.
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It looks like nobody watched TV last night. Maybe people were too busy taking advantage of the fact that national parks are still open for business, but viewership was down across the board on Monday night, resulting in some of the worst ratings for top shows.Both Chuck and How I Met Your Mother hit all-time series lows for total viewers with their new episodes, while House had its lowest-rated episode since the first seven episodes of season 1 back in 2004.
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Its been a long time since weve seen Thirteen on House, but all that changes tonight. In the shows 150th episode, the numerically-nicknamed Dr. Remy Hadley (Olivia Wilde) makes her triumphant return after going AWOL at the start of season 7. Well, maybe not triumphant.The episode finds Thirteen getting out of jail, where shes been locked up for the past six months. The reason for her incarceration is one mystery, but what was doing before she got arrested is another. Most doctors crumble in front of House, but Thirteen reminds us very quickly why shes such a formidable force. She is every bit as good at manipulation as House is, and the two of them spend the entire episode together in an epic battle of cat and mouse.
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Tonights highly anticipated episode, "The Dig," is highly anticipated for a couple of reasons. One, that Thirteen, who left after the seasons premiere episode, is returning, carrying a rather large secret with her. And two, its the shows 150th episode. Back when the show hit the 100th episode in season 5, there was celebration. But David Shore, the series show-runner, made sure to mention in interviews that just because he hit 100, didnt mean the episode was going to be spectacularly different. "The Dig" offers up some new story lines for Thirteen and reminds us as viewers just how valuable her character is as a confidant to House and gives us a peek into just how raw and vulnerable House really is. POTWIm not thrilled with this weeks patient. I would rather see what Cuddy is up to or more of House and Thirteen. This patient is a hoarder. But oh wait, its his wife thats doing the hoarding, and in the end was lying to her husband the whole time about having the miscarriages that ended up causing the hoarding. Is the main message here that if were not careful about dealing with strong emotions inside us, they will manifest themselves physically? Could this be alluding to Houses crazy excessive marriage, hooker lifestyle, and hotel expenses? Regardless, the couple, even throughout all the lies, manages to stay together and work it out. Maybe Cuddy could catch a clue.
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The best thing about television is that 20 people can watch the same episode and have 20 different opinions about what they saw. I have a feeling that this episode will most likely divide fans, but Im going to choose to dive in to what my first instincts were telling me regarding the episode. I can sum them up in one word--one syllable, in fact: eh. Dont get me wrong. I liked the character of Martha M. Masters. And she deserved a nice send-off since Thirteen is back and all is apparently rightfully and disturbingly back in place in House-land. But seriously? Enough was enough tonight. And truth be told, I think the powers that be over at House were way more in love and invested in this character than Ill ever be. POTWWho needs House when you have Martha? Oh yeah, I do! I understand that this week was a not-so-subtle shift of the spotlight from House to Martha, but man, even the patient is all about mirroring Martha? I suppose the parallels were nice. Both prodigies, both carving out their own paths at a very early age, and pushing themselves harder than they should. The question the patient brought up early on for Martha was if Martha should accept that doing what she loves includes dealing with things she doesnt. By the end of the episode, she answered that question in spades. She ended up sacrificing her moral code, lying to the patient, the family, everyone, and Masters accepted that this was unacceptable. The POTW did well to service the storyline, but I wasnt enthralled.
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Last night, reality competition reigned supreme, cops followed close behind and several shows proved that reruns really dont bring in the viewers.CBS Dancing with the Stars ruled the night, with 19.59 million viewers the first hour, and 22.16 million the second -- typical numbers for the celebrity dancing competition, which is second in weekly ratings only to reigning champion American Idol. Check out our recap of last nights DWTS!The only show even close to touching DWTS ratings last night might surprise you. The little show that could: Castle.
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Lets face facts. The end is near, and House, the series, may need to step up and provide a little "change." Interestingly enough, tonights episode addresses some of the audiences burning questions about whether House considers changing. Hes has been a cynic for as long as weve known him, and that didnt change even when he was in love with Cuddy. He may have been happier, but he remained cynical. However, throughout the series, House has had a romantic streak. With Stacy, he wooed her with a cute note, with Cuddy, he brought her back her medical school desk.While House might not believe in the good of people, he does know how to bring a smile to a womans face. So why is this important? Throughout last nights episode, House watched from the sidelines as yet another one of his patients was duped. This weeks House was about how the idea of hope may change your outlook on things. If House and Thirteen had been more positive about the outlook of the patients love life, might things have turned out better for the lottery winner? What about Foreman? Even though hes stressed out, at least hes in control of it. Should he accept that he is who he is or have a more positive attitude about his life and attempt to change?POTWAnyone think of Lost with this weeks patient? He certainly seemed as lovable as Hurley, trying to find love the best way he knows how. Cyrus, the millionaire, was as optimistic as weve seen on House, knowing and trusting in his heart that once he found the woman he was supposed to be with, it would make him the happiest to be with her and support her financially. Does the patients trust in everyone around him make him a happier person or an ignorant one? Remember the genius patient in "Ignorance is Bliss"? He deliberately made himself dumber to be with the one he loved. Is this man doing the same thing in order to remain just a bit more hopeful about love? In the end, he may have found the right woman, but her morals could be just as questionable as the fake Jennifers. More food for thought: Was his brother just trying to make Cyrus happy? Or was he solely hoping to get away with some cash?
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"Do you think I can fix myself?" House asks, eyes wide, vulnerable posture. "I dont know," Cuddy answers. One year after "Help Me," were still not sure, but House has taken it into his own hands. There are no easy fixes. If anyone should know this, House should. But perhaps House feels that, after exploring all the difficult ways to fix his leg and his pain, hes opting for a drug trial that seems relatively simple. And after all, if it works on rats, it should clearly work on humans. (Note the sarcasm.) What interests me here is why House, one of the most intelligent characters in prime time television, would do something that is clearly not a medically sound idea. The reason is the same reason House has always had for doing something that lacks logic. Any slim chance it has to fix Houses pain makes even the most experimental and dangerous of drugs, treatment, and/or therapy worthwhile. But will fixing Houses leg pain cure his emotional strife? Wilson doesnt think so, but Im a little less sure. Lets start with the dual patients. Patients of the WeekThere were really three patients this week, one being our own Dr. House. But for now, lets stick to the first two. With the boxer, House is clearly wanting to get a diagnosis. There has to be a logical reason for the boxer losing his match other than a fair loss. And of course, House will be the one who absolutely has to find it. As usual, House gives a rather lame ulterior motive (a $50 bet and being wrong) in order to conduct his medical research on the boxer, but we know its about more than that.House confides in the boxer, telling him that theres got to be a physical reason why hes losing so much, why hes so unhappy. If he can just fix the boxer and prove that healing the physical problem fixes the mental one, then cant he do the same for himself?
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Overtime during the Heat/Celtics game might have contributed to some of the falling ratings for primetime television last night, with Chuck, Dancing with the Stars and How I Met Your Mother all dipping considerably in viewers from last week. However, a few resilient shows managed to weather the ratings slump.
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The doctor will be in, again. In a predictable move given the shows solid ratings and strong presence at awards shows, FOX officially renewed House today for an eighth season. This follows news yesterday that the network renewed animated shows Family Guy and The Cleveland Show.
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This review of Houses newest episode, "After Hours" (airing Monday at 8pm on FOX), almost didnt happen. The first time I tried to watch an early copy of the episode, I had to turn it off half-way through. It includes a scene so incredibly disgusting and disturbing that it made me physically ill and I had to turn it off or risk extreme nausea.But I settled my stomach, went back for a second viewing (this time fully prepared for the horror to come) and it was definitely worth it, because this is one of the most important episodes of House ever.
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After watching "After Hours," I wonder: Why is it that we dont see more episodes like this in a House season? Is there some rule that we must always remain true to the standard formula? Must we always have a diagnosis at five or six minutes before the hour is up? And more than that, do we always need a patient of the week? Most of the episodes Ive liked throughout the series have either broken with format or taken the cast out of their usual element. This episode is no exception, with all characters being pushed to their physical and emotional limits. With one episode left, were right back to the feeling we had after the first episode this season: Now what?Foreman and Taub Ill start with who I felt were the least compelling pair. And might I just say, it wouldnt be May sweeps without FOX trying to shoehorn in a scene with strippers. Note that weve seen strippers on House in May in seasons 4, 5, and now 7. Thus endeth the stripper rant. At any rate, Tiny Taub, of all people, managed to knock up his young ginger girlfriend of the moment. Sigh. I really wish I cared more, but since it all ties back to House, Ill say this: Taub finally grabbing on and taking some responsibility may be foreshadowing of House doing the same. Ive heard interviews with David Shore saying that people cant change. House needs to make a change and at the end of its seventh season, it cant be a small Housian step. It better be big and noteworthy.
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Finales ruled Monday night, with Chuck, Castle, Hawaii Five-0, and How I Met Your Mother all enjoying hefty ratings increases with their season finales. And of course Dancing with the Stars fared well. We also said goodbye forever to a few shows.Castle wrangled a whopping 13.21 million, while Hawaii Five-0 managed 9.83 million. Both shows featured huge cliffhangers in their season finales, leaving fans hungry for more. How I Met Your Mother had 7.11 million viewers. Chucks season finale drew 4.47 million viewers. All four shows are returning next season (Chuck for its final 13 episodes), but fans have a long summer ahead of them.
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Upon hearing the devastating news that Lisa Edelstein would not be returning to House for season 8, I decided I had to give her a proper farewell by attempting to create a list of some of her best moments on the show. This hasnt been an easy task. In nearly every episode, there are Cuddy scenes that I love because theyre either hilarious, poignant, dark or bold. Cuddy has served as a love interest for House (arguably since the pilot episode of the series) and as his superior at work whose impossible task is to keep him in line. In season 7, the romantic feelings between House and Cuddy were finally, albeit briefly, explored. Whatever your opinion is on the break-up, or "Huddy," Lisa Edelsteins presence on the show has been a staple in the series, and her leaving will be creating a huge void for the writers to fill. I always saw House and Cuddy as an epic couple, two people that everyone knows will inevitably end up together in the end. Her leaving has thrown a serious wrench in my prediction of the future of the series, and I have to wonder, what will happen to House without Cuddy? Furthermore, how will Cuddy be replaced at PPTH? For now, lets pay tribute to an amazingly gutsy, funny, intelligent female character: Lisa Cuddy, and the wonderful actress that plays her, Lisa Edelstein.
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Last year after "Help Me," I jumped off the couch and started screaming and running around my house forcing one of my roommates to re-watch the last five minutes with me. The year before that, I sat, glued to the couch, tears running down my cheeks, fully moved by Houses plight and Cameron and Chases walk down the aisle. This year, my jaw dropped, my eyes widened and I screamed at my television, "Are you kidding me?" Dont forget to insert the most convenient expletive.Finally, the moment Ive been waiting for since "Bombshells" has arrived. House and Cuddy have a real conversation! And House admitted he was hurt! Gasp! Is this the kind of groundbreaking writing thats supposed to make me ache for next season? Because I had low expectations for this finale, and most of them were met and exceeded. "Moving On" is just as literal as it sounds. Cuddys moving on -- right off the show in fact. House is moving on, to Hawaii, and with the Losties apparently. And of course, our Patient of the Week is making choices that will impact the rest of her life as well. Stick a fork in this finale: it was over before it even started. And whats so incredibly frustrating is that this show is capable of so much more than its producing. More on that later. First up, our Patient of the Week.
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More season/series finales last night, with House, the (now cancelled) Chicago Code and The Event (also cancelled) all airing their final episodes of the season. Dancing with the Stars aired its penultimate episode of the season, with the finale happening tonight.Houses season finale, which saw the departure of actress Lisa Edelstein, was down from last week. It saw a 6% drop versus last week, and a 23% drop versus last years season finale, with 9.03 million viewers. Unfortunately for House, this is a finale low for the series. You can check out our House recap here.
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Stars are dropping like flies from many of televisions top-rated shows. And the latest casualty comes from NBCs newly-renewed Law & Order: Special Victims Unit. According to reports, star Christopher Meloni will not be returning for the series 13th season in the fall.
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This is a diagnosis not even the great Gregory House couldve called. According to TVLIne, House star Lisa Edelstein, who plays hospital administrator Lisa Cuddy, will not be returning for the shows eighth season.
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FOX released its 2011-2012 schedule today, and as expected, its all about The X Factor. The new Simon Cowell-led singing competition featuring Paula Abdul (thus making it Idol 2.0) will continue to fill the same three-hour Wednesday/Thursday block currently held by American Idol and So You Think You Can Dance.
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With this weeks Bones episode, fans are going to get their first peek at the potential Finder spin-off series. Brennan and Booth will travel to Florida to investigate a murder, enlisting the help of Walter Sherman and company in order to track down a key piece of evidence.Bones and Finder series creator, Hart Hanson, spoke with reporters about the shows via conference call. While he was careful, not to give away too many spoilers, as is so depressingly often the case, there were more than a few tantalizing tidbits.
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