November 10, 2006
After the highly-charged, fantastic new show Smith was canceled by CBS after only three episodes hit the air, fans wondered if CBS would ever air the four other episodes that had been produced. As it turns out, CBS isn't going to air them on the network, but they are now streaming the episodes, free-of-charge on CBS Innertube, which is on the CBS website.
This is a fair enough compromise, I suppose, but it can't make up for the anger that Smith fans still feel towards CBS for giving up on the show so early on in the season.
October 23, 2006
TVGuide has an insider account as to why intoxicating heist drama Smith was canceled after only three episodes. Smith was, by all accounts, an excellent and promising show. Yet, after the ratings dipped from week one to week three, CBS pulled the plug and gave no reason for the abrupt decision. Well, now it looks like we have a couple of definitive reasons for Smith's exit.
October 13, 2006
This is the first time I've come across this. Our friends over at TMZ.com have broken the news on what shows will replace the departed Kidnapped on NBC and the newly-shelved Smith on CBS. You can check out the article by clicking here.
October 6, 2006
It was announced today that CBS has “shelved� it's prime-time drama Smith and halted the show's production. Smith has not performed well in it's Tuesday 10PM timeslot and CBS took this to mean that Smith was not worth airing. Although the official statement is that Smith is only “shelved� production has been shut down and it is unlikely that any of us will ever see another episode again.
September 28, 2006
The premise of Smith is completely ridiculous: A family man (Ray Liotta) is actually a master thief, who travels around the country pulling off grand heists. He has a team of specialists who assist him, and none are redeeming characters. So, we are supposed to root for a guy who deceives his wife and son, is a mercenary, and is a man who witnesses the death of a team member and walks away with no remorse? On paper, this all seems a tad unpleasant, doesn't it? Well, somehow, it's not. With Smith, CBS has created one of the most entertaining and gleefully evil shows televison has seen in a long time.
Smith is a derivative of the type of cinema currently embodied by the works of Tarantino. Hardened anti-heroes who do bad things, yet still remain in the viewer's good graces. Like characters on “The Sopranos�, we would not be friends with these people in real life. We wouldn't like them and, in all likelihood, we'd be scared of them. However, in the context of their own, specific universe, we can root for them and become caught up in their plight. Why? I don't think it's over-simplifying it to say that it's just entertaining. Smith focuses on Bobby Steven's team pulling off high-stakes robberies. As long as these robberies are exciting (which they have been so far) the viewers will be tuning in.
Viewers can forgive a lot when it comes to their protagonists. People identify with flawed characters because they themselves are flawed. When Simon Baker's character on Smith mercilessly guns down two thugs, simply because they kicked him off their private beach, we identify with him. We don't agree with harshness of his reaction and would never consider doing what he did (I don't own a sniper rifle, anyway) but we respect that he stood up for himself and would like to believe that we'd stand for oursleves in the same situation. Anti-heroes take reality and accentuate to a degree that the layman will never know.
Smith is good only because it's characters are the bad people they are. I've heard complaints that the characters on Smith are so totally unredeemable that they just can't watch Smith. Well, how would the show work if Ray Liotta played Bobby Stevens as a nice, warm-hearted, respectful, stand-up guy? It would seem wildly improbable for a guy like that to be involved in the world of high-stakes robberies. Of course, this seems obvious, but it's a key issue to ponder over when discussing the premise of any show. When creating a TV show, you typically begin with the premise. I'm sure that was the genesis of Smith. Creator Jon Wells probably thought, “Hmm, you know what'd be cool? If there was a show where a team of thieves pulled off a different heist every week.� From there, what kind of a main character do you create? There aren't a lot of options. Sticking to a take-no-prisoners bad ass is usually the best choice.
Smith is still early in it's run and it could easily drop off in quality as the season goes along. I hope not, because CBS has created a show that is fun, full of action and uncompromising in it's vision.
-Oscar Dahl, BuddyTV Senior Writer
September 20, 2006
Well...man.
That was unexpected.
Smith, starring Ray Liotta, has gotten little media attention and middling reviews. I was expecting to see another run-of-the-mill action show with a lot of flash and production values. A show that was superficial and ultimately underwhelming. What I got instead was much, much more.
CBS has publicized Smith well enough, airing a number of promos on its own network, but not to the degree in which, say, NBC has pushed Heroes or Studio 60 on the Sunset Strip. Smith should appeal to anyone who loves Tarantino-style action; Smith is far grittier and edgy than most anything on network television.
Liotta stars as Bobby Stevens, a professional thief who “works� his days as paper cup salseman. His home life is complicated and dense. His wife is Hope Stevens (played by the great Virginia Madsen) and they have two kids. Hope is unaware of Bobby's dual life, but is suspicious of Bobby, but not overtly. It becomes clear that the two had recently split for an undetermined period of time, but are now doing better. Oh, and Hope is on parole for some sort of drug violation.
Now, this is only a minor part of the pilot. The script is complex and layered, setting up a number of relationships and three-dimensional characters. Bobby's team is full of shady characters who are all set up in memorable ways. Did I say this show is gritty?
Watch as two innocent thugs are mercilessly gunned down on a private beach. Watch as an innocent woman is tasered in the chest, in the name of a robbery. Watch as a security guard is peppered with a load of bullets to the chest.
Liotta is playing a less over the top version of his Henry Hill character from "Goodfellas". He plays it easy and good-hearted for most of the episode, but we see his criminal side come out in brief, intense moments. Amy Smart plays her hardened member of the team with ruthless badass-ity and Simon Baker is ice cold (at one point drop kicking a cat for no apparent reason).
I wonder if the epic scope Smith can be kept up through the season; the pilot is shot at a number of diverse locations, with tons of extras and lots of explosions. The heist itself is exciting, simple and smart, not caught up in unbelievable electronics gizmos, but with common sense.
Smith has catapulted itself into my seasons pass and I hope the remainder of the season lives up to the precedent it set with it's awesome pilot. Four Stars.
-Oscar Dahl